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Tradition and Today–Writing the Detective Novel

We here at the Little Blog are pleased to welcome today’s guest, Vicki Delany.

I’ve been reading a very interesting book, The Suspicions of Mr. Whicher by Kate Summerscale. It’s a true story about a sensational murder in the town of Road, in England in 1860. Mr. Whicher is Jack Whicher, one of the very first detectives on the London police. One night, in July of 1860, a three-year-old boy was removed from his bed, taken outside, had his throat cut, and stuffed into an outdoor privy (aka outhouse). As the house was tightly locked that night, and there was no sign of break and enter, suspicion fell on inhabitants of the house, family and servants, immediately. After an initial incompetent investigation by the local police (which refused, for matters of delicacy, to question the family) a detective from the brand-new Scotland Yard was called.

And, not incidentally, the detective novel was born.

Summerscale explains that Wilkie Collins’s great book The Moonstone was influenced by the Road House case, and Collins’ detective, Sergeant Cuff, is considered to be a fictional version of Inspector Whicher. The Road case contains the staples of mystery fiction as we know it today: the large family with hidden passions and secrets, the villagers, the incompetent (or just outwitted) local police, the big-city detective.

The Moonstone is, arguably, the prototype for all detective fiction being written today. Including my own, the Constable Molly Smith Series, of which the second, Valley of the Lost, is being released by Poisoned Pen Press this week.

I am a great lover of British Police Procedurals (Ian Rankin, Susan Hill, Peter Robinson, Aline Templeton, Stuart Pawson are among my favourites). When I decided to switch from writing standalones to a series, I wanted to write the sort of book I love to read so much: the traditional police procedural.

One problem – I have no law enforcement experience whatsoever. None. Zip. Nada. I used to be a computer programmer and then a systems analyst with a big bank, not much police work there. (Although I am qualified to identify potential money laundering and terrorist banking activity!)

As a Canadian, writing a Canadian series, I’m in a somewhat difficult position regarding policing, as most of what I read is either British or American. And Canadian policing can be very different. Here’s an example. Canadian police are not allowed to carry their guns when off duty. Most Americans, I believe, are required to do so. The British don’t carry guns at all, and have to go take special steps if they need one. Thus at the end of In the Shadow of the Glacier, when Constable Smith isn’t in uniform she has only her cell phone and stiletto heels with which to defend herself.

I wrote to the police force of the town that is the inspiration for the fictional village of Trafalgar B.C., explained who I was and what I was trying to do. To my considerable surprise, and delight, they wrote back and said they’d be happy to help.

It was as easy as that.

Over the next months, my contact answered all my questions - he even went around the station taking pictures to send me - and when I arrived in town he gave me a tour of the station, introduced me to everyone, and arranged for me to go on a couple of walk-alongs with the beat constable.

Later, I met a police officer for the town near where I live at a book signing and she arranged for me to accompany one of their officers on a ride-along.

Nice, eh?

On the other hand, I wrote to the police in the town where I used to live asking for help and got a very terse note back, basically telling me to get lost.

When I told one of my crime-writing friends about that, he suggested that in my book I have a character transfer in from said town because he couldn’t stand the incompetence and corruption. I resisted the urge to do so.

Vicki Delany is the author of Valley of the Lost (Poisoned Pen Press), the second in the Constable Molly Smith series (following 2007’s In the Shadow of the Glacier) set in a small town in the Interior of British Columbia, as well as novels of psychological suspense, Scare the Light Away and Burden of Memory. The first in a new historical mystery series, Gold Digger: A Klondike Mystery, will be published by Rendezvous Crime in May 2009. She recently moved to bucolic Prince Edward County, Ontario, where she rarely wears a watch. Contact Vicki at www.vickidelany.com You can read the first chapter of Valley of the Lost at www.vickidelany.com

4 Responses to “Tradition and Today–Writing the Detective Novel”

  1. Welcome, Vicki! Interesting post. I’m not surprised by the cops who’ve been helpful. I’ve found that law enforcement in general in very good when it comes to explaining things and sharing info. As for the ones who didn’t want to cooperate…I love the idea about dissing them in a book. Such sweet revenge!

    by Casey on February 9th, 2009 at 9:13 am

  2. Thanks for having me! If anyone is interested, my book trailer is up at Youtube or my web page. It’s pretty neat.

    by Vicki Delany on February 9th, 2009 at 2:42 pm

  3. Ian Rankin and Peter Robinson are two of my favorite authors. I will read a Vicki Delany book soon.

    by don on February 10th, 2009 at 5:02 am

  4. I’m glad I write historical mysteries where I don’t have to worry much about procedure. I do have a Bible-Quoting Constable, Phyllymort, who is big pain in the you-know-what to my 2 Puritan detectives. Human nature doesn’t change. Good luck, Vicki. M. E. Kemp

    by M. E. Kemp on February 18th, 2009 at 10:00 am

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