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    Thrillers by Libby Hellmann

    Before I start, I want to say how honored I am to guest blog for you this weekend. Thanks to all… especially Father Don, who is known to prowl the streets of South Florida with his four nuns on Saturday night. I know for a fact Father Don and his entourage were spotted at the beach in Fort Lauderdale last weekend. But don’t ask me how I know.. .I might have to kill you.

    Which is as good a segue as any to get to the subject at hand.

    Thrillers.

    How many of you know someone who is writing a thriller? Thinking of writing a thriller? Just finished writing a thriller? Thrillers seem to the new staple of the crime fiction genre. Everyone I know is writing one. Including me.

    It’s probably not surprising. It may even be a natural evolution of crime fiction. We live in a culture where, in entertainment at least, we are no longer content to simply watch. These days we are expected to participate — or at least get a visceral kick out of watching others participate. Consider reality shows. The players are just ordinary folks who, in the course of the show, do extraordinary things and perhaps, if they have the skills and fortitude, emerge victorious.

    Now, think about a thriller. Isn’t one of the hallmarks of a thriller an ordinary fellow or woman who is thrust into extraordinary circumstances? By the end of the book — if he or she has the skills and fortitude — the protagonist will have met every obstacle known to man and beast, saved the world, and become a hero.

    Don’t get me wrong. I detest reality shows, but I love thrillers. In fact, I started reading thrillers before I read mysteries, devouring Le Carre, Ludlum, Follet, Deighton. I adore suspense, and I conduct workshops on it. I incorporate it into my own books. I love the intrigue, the political ramifications, the spine-tingling wallop to the senses you get from reading (and writing) thrillers.

    The problem is sustaining suspense over time. A steady diet of thrillers can make them all feel contrived. Even dull. They all start to sound the same: character is sacrificed for plot; realism for convenience. With the glut of thrillers now or soon to be on the market, I hope that doesn’t happen. I hope we’ll find authors who flout the conventions just a bit –who create memorable characters, interesting dilemmas, and realistic resolutions. I know I’ll be trying to do just that.

    What about you? What do you think of thrillers?

    -Libby Hellman
    www.hellmann.com

    3 Responses to “Thrillers by Libby Hellmann”

    1. Libby,

      Great blog! And Father Don, eh? Sounds like there’s a story there!

      Thanks so much for being our guest here at the Little Blog!

      ~heather

      by Heather on March 12th, 2006 at 11:21 am

    2. Libby;
      We promised to keep that very quiet. The premise is a secret until I write my thriller about that evening!

      Father Don

      by Don on March 12th, 2006 at 3:15 pm

    3. Great, thought-provoking post, Libby.

      I also think there’s a lot of crossover potential. I recently heard the essential differences between the mystery and the thriller described this way:

      1. You read a mystery to find out the solution to something that has already happened, but you read a thriller to find out what is going to happen.
      2. The ‘whodunit’ puzzle of the mystery makes reading it intellectually satisfying, but the “what-comes-next?” focus of the thriller makes reading it a more visceral experience.
      3. In a mystery, “what’s at stake” sometimes only matters to the characters directly involved with the plot, but in thriller, the stakes matter to all of us, as a society.

      Although these points have merit, I cannot agree with them as absolutes. There are plenty of mysteries with high stakes and/or not primarily focused on ‘whodunit’, and thrillers that offer solutions to past crimes, etc…

      But I still find the points illustrative. Many writers incorporate ‘thriller elements’ into their mysteries, and vice-versa, either with advance planning or by instinct.

      Talking about the identifying characteristics of each genre is, “grist for the mill,” as my grandmother used to say.

      So thanks for posting this.

      by Sean Chercover on March 12th, 2006 at 9:32 pm

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